UNESCO: Siena the most beautiful province in the world
Outstanding Universal Value
The Historic Centre of Siena is the embodiment of a medieval city. Historically, its inhabitants pursued their competition with the neighbouring cities of Florence and Pisa right into the area of urban planning. Throughout the centuries, the city has preserved its Gothic appearance acquired between the 12th and 15th centuries. During this period, the work of Duccio, the Lorenzetti brothers and Simone Martini influenced the course of Italian and, more broadly, European art. The whole city of Siena was devised as a work of art that blends into the surrounding landscape.
This Tuscan city developed on three hills connected by three major streets forming a Y-shape and intersecting in a valley that became the Piazza del Campo. The seven-kilometre long fortified wall still surrounds the 170-hectare site. Protected gates were doubled at strategic points, such as the Porta Camollia on the road to Florence. To the west, the walls embrace the Fort of Santa Barbara that was rebuilt by the Medici in 1560 and finished in 1580. Inside the walls towerhouses, palaces, churches and other religious structures survive. Also of note are the city’s fountains that continue to be fed by an extensive system of original tunnels.
Siena’s distinctive Gothic style is illustrated by the quintessential Sienese arch, introduced to the city from the East during the Crusades. The arch dominated later building styles including the Renaissance era. Even when buildings underwent major renovations in the 17th, 18th and 19th centuries (such as the Town Hall, the Chigi-Saracini Palace, and the Marsili Palace respectively), Gothic elements had preference.
Siena is an outstanding medieval city that has preserved its character and quality to a remarkable degree. The city had substantial influence on art, architecture and town planning during the Middle Ages, both in Italy and elsewhere in Europe. The city is a masterwork of dedication and inventiveness in which the buildings have been designed to fit into the overall planned urban fabric and also to form a whole with the surrounding cultural landscape.
Criterion (i): Through its urban and architectural characteristics, the historic centre of Siena is a testimony to human creativity and expresses human artistic and aesthetic capacity in material form.
Criterion (ii): The strong, personal example of artistic civilization, its architecture, painting, sculpture and town planning in particular had a very strong cultural influence not merely on the whole territory of the Republic of Siena but also in Italy and Europe, especially between the 13th and 17th centuries.
Criterion (iv): The structure of the town and its evolution, uninterrupted over the centuries, along with a unity of design that has been preserved, has made Siena one of the most precious examples of the medieval and Renaissance Italian town.
The Historic Centre of Siena is delimited by its ancient ramparts constructed between the 14th and 16th centuries. These walls follow the contours of the three hills on which the city is built and continue to include their bastions, towers and gates. In addition to the walls, the property includes many other important original elements such as the fountains with their tunnels, the road network and green spaces related to the urban plan, the public buildings and the residences including palaces and towerhouses.
The Historic Centre of Siena is vulnerable to environmental pollution and intense tourist pressure, which strain city services during a few months of the year. There is also concern relating to the progressive abandonment of the historic core by local residents. Although the region was identified as earthquake-prone with a medium to low risk in 1983, current protection efforts are considered adequate.
Taking into account its present-day state of conservation and its historical authenticity, it has to be said that Siena is a rare example of a medieval historic town of this size. This can be explained in part by the fact that the city did not suffer serious war damage and has been spared from modern industrial development in part because it remains outside the country’s large development areas. The number of inhabitants has remained relatively low and corresponds with that of the medieval period. As a result, no large-scale urban extensions have been undertaken. The environs of the city have been subjected to only small-scale interventions, such as projects undertaken during the 19th century, which have become integral parts of its present historical authenticity. In contrast, similar activities have altered the historic fabric of other towns.
As a result of these factors, the original urban form of the city, with its 15th-century street plan, has been retained along with the Gothic design of its public buildings, palaces and towerhouses. Moreover, the function of medieval elements remains unchanged including the original vegetable gardens within the walls. Traditional activities continue in specific areas of the city as they did in the Middle Ages, as seen along Banchi di Sopra and Banchi di Sotto. These early streets were occupied by money changers and now are lined by banks.
Concern for authenticity of buildings and monuments has been identified in the removal of architectural elements that are threatened by pollution and their replacement with replicas.
Protection and management requirements
The Historic Centre of Siena contains a variety of buildings under public, private and Church ownership. The property covers 107 hectares and is defined by the ancient city walls, which provide a clear boundary. The site is surrounded by a buffer zone of 9,907 hectares extending into the territory of the municipality.
Since 1931, Siena has adopted “modern” urban planning tools. Today, State and Municipal authorities are carrying out an active and continuous conservation and restoration policy. Recently, implementation tools for the municipal planning and relevant regulations, which introduce the definition of the old city “UNESCO Site”, have been approved. These tools recognize the need to maintain the city’s role as a representative place in terms of local identity. The historical centre is the focus of local identity, representing the economic activities and social expression of the community. The urban planning tools followed over time have maintained these functions while continuing to ensure the historical relationship of the walled city with the surrounding agricultural context.
The entire historic centre is subject to “Decreto Legislativo 42/2004, Codice dei beni culturali e del paesaggio”, the national Law for protection of cultural heritage. Individual monuments are subject to a safeguarding measure which ensures any activity on the site must be authorized by the relevant Soprintendenze (peripheral offices of the Ministry for Cultural Heritage and Activities). While the specific intervention authorizations are granted by the local authority, the role of the Soprintendenze is to ensure overall control. Under this regulation, the Soprintendenze can deny proposed modifications for conservation reasons and restrict interventions.
Another legislative limitation defined by the national law further protects the entire historic centre through the safeguarding of landscape. In addition, a series of more specific regulations and preservation plans regulate areas of building activity and commerce, and provide for a limited traffic zone with electronic control of access.
The Municipality of Siena approved its first management plan in May 2011 defining the management system. In particular, the plan defines how the goals are to be promoted and executed. Due to the articulation of the activities to be undertaken and the variety of critical issues to be resolved, a specific operational interdisciplinary structure (UNESCO office) will be created as a permanent unit devoted to coordination of all public and private bodies concerned with the actions of protection, conservation and enhancement of the Historic Centre of Siena. Strategic objectives, identified to meet the critical issues raised in the management plan, were transformed into five specific actions. A review has been undertaken of the type of communication relating to the values of the World Heritage property using an approach that integrates traditional techniques with contemporary approaches and tools. City parks are enhanced through a re-evaluation of public gardens to maintain the ancient relationship between the walled city and its surrounding green valleys. Studies and research have focused on both public and private heritage in order to optimize conservation practice. Additionally, the process of implementing further traffic regulation has included a parking system inside and outside the walls (already a limited traffic zone), with a policy to reduce and control vehicular access and provide a pedestrian and cycling plan for of the Historic Centre of Siena.
Activities that will increase tourist visitation to the World Heritage site have been optimized in accordance with the principles of sustainable development by implementing a management system to regulate the number of tourists.
Finally, with the unique support from “contrade”, the current urban planning safeguards the social and cultural aspects of the city through the promotion of a policy to recover the traditional residential use of buildings within the old town.
Our wonderful province is “the most beautiful in the world”.
It is enough to scroll through the list of UNESCO World Heritage sites in which the historic center of Siena, San Gimignano and Pienza and the entire Val d’Orcia area are inserted to realize that we are the only ones who can boast of this primacy . An enviable and little known goal for the inhabitants of our province themselves, immersed in a landscape that is simplistic to define as unique and that also boasts other excellences besides those protected by UNESCO.
A part of our province that, paradoxically, perhaps because of its proximity to the municipal area of the city, is little frequented by us from Siena and instead highly appreciated by tourists from all over the world is the area of the Crete Senesi, a natural paradise that hosts “gems” of absolute prestige.
It is enough to take the Provincial Road 438 Lauretana that from Taverne d’Arbia arrives in Asciano to be immersed, 365 days a year, in a territory that conquers, relaxes and fascinates.
Leonina, Staffoli and Staffolino, the Transitional Site, Mucigliani, San Martino in Grania, Vescona, the lakes of Santa Caterina – Menchiari, Pievina, Torre a Castello, Poggio Pinci, Chiusure, Monte Oliveto, Trequanda are names that many people in Siena will say very little but they are a destination for photographic tourism from all over the world. In all seasons the pitches that have been planned to facilitate the parking of tourists are literally assaulted by passionate photographers from all over the world so that in spring and summer it is common to have to skip a few stages because there is no place to stay in safety.
The landscapes with the “soft” hills that the whole world imagines when talking about the Tuscan countryside are those of the Crete Senesi that surround Asciano and Rapolano Terme, a land with gentle slopes that offers plays of shadows and lights that enchant.
One of the favorite destinations for bike tourists is in the middle of the plowed fields of the Crete, in an area not reachable by car; an artistic installation by the Frenchman Jean Paul Philippe located on a hill from which you can enjoy a breathtaking view of Siena, which at sunset gives incredible emotions.Read More
Ride Tuscany roads is an amazing experience!!
WHY RIDE TUSCANY??
I wasn’t born in Tuscany but I have been here many times on holidays always surprised by this peaceful and very beautiful land.
I originally come from Bergamo, north of Italy, and I did not enjoy riding a road bike because of the very bad traffic, but not in “ride Tuscany”. (altro…)Read More
I had the pleasure to ride a SUPERSIX EVO HI-MOD RED ETAP CANNONDALE bike with SRAM eTap test in the beautiful country side of Tuscany.
I had a 4 days ride test starting from from I have cycledhad cycling for 4 days from the Val D’orcia, until to the Chianti area all through the secondary road of Siena .
I made many kilometers in the famous up and down Tuscany hills, feeling like a child with a new toy to play with : a Sram electronic shifting system to test.
What I can say it was a very GOOD experience.
It was supposed to be simple and I confirm the shift is very easy to use.
It’s a logic that is simplified for speed: right lever makes it harder, left lever makes it easier, both levers to change the front ring. You’ll shift more, with less effort and spend less time doing it. Carbon ErgoBlade™ levers and large SRAM eTap paddles provide positive controls for rider input.
Wireless connection via AIREA™ network for fast and clean installation : no cable, your bike looks very clean.
The Revised ErgoBlade levers provide confident control and eTap logic and positive feedback paddles eliminate shifting mistakes.
When I check the bikes for the rental I usually test the sound of the gear….I’m used to bikes with traditional gear working like a “violin” and I must admit that electronic gear is like having a “stradivari” violin !!!
Only one flaw : the price .Read More